A Word About Dating Antique Fabrics Since we were not present at the mill when the fabrics were made, and since few of them are printed with a date, we can only make educated guesses about the vintage of antique and vintage fabrics. There are many clues we use to date fabrics – two important reference books are Clues in the Calico by Barbara Brackman, and Dating Fabrics: A Color Guide by Eileen Trestain. As they emphasize, they are only guides, often using dated quilts and other items whose vintage is known to gauge the earliest appearance of a particular fabric; often, however, the same patterns were produced over a long period of time. Sometimes we can find a vintage fabric in an old mail-order catalog – having a few of those from each decade provides another great source of reference. Other clues available to us include the width between selvedges, color and style, and the feel or “hand” of a fabric. While fabrics have been woven in various widths for centuries, the earliest machine printed calicos were all in the inch range. Not until the ‘s or so were machine printed fabrics available in the popular 36 inch width, while narrower fabrics, inches, remained available into the ‘s.
Dating quilts – a brief overview
Tweet Considering the amount of labor involved in their construction, American quilts have never been considered entirely practical. Produced for a variety of reasons – decorative throws, wedding gifts, commemoratives, memorials, bed covers, wall hangings, etc. Though quilt tops and lightweight “summer quilts” lacking the middle layer are included in the category, technically, a quilt is a sandwich of a top layer, a bottom layer, and a filling, such as down, cotton or wool batting, polyester fiberfill, etc.
The top layer can be plain or “pieced” made of pieces of cloth sewn together to form a design or “appliqued” a plain cloth to which fabric pieces or other materials are sewn. Embroidery is often added. Once the top layer is completed, various “quilt stitches” are used throughout to bond the three layers together and to prevent the filling from shifting.
Welcome to the Quilt Index Wiki page on fabric dating references. If you have information about books on dating fabrics, or general information on dating fabric materials, patterns and prints, or colors and dyes, please consider adding your information to the Wiki.
American Quilters’ Society, America’s Printed Fabrics Clues in the Calico: Encyclopedia of Pieced Quilt Patterns. Please do not modify this section of the page. Bubblegum pinks, however, are easily distinguished from the others by their cool undertone and general resemblance to chewing gum. Bubblegum pinks were used in solids as well as prints.
Butterscotch Butterscotch fabrics often date to the middle of the nineteenth century and were frequently used as a background for a pieced pattern. Butterscotch prints are often small, with the motifs closely packed together.
Antique and Vintage Patchwork Quilts
Paris clothes have such chic. It’s file size is just KB. Wether You want to save It to Your laptop, you have to Click here.
Come feast your eyes on Pat Yamin’s collection of antique quilts dating from the ’s to the present. You will learn how they inspire modern quilters to recreate them with today’s fabrics! Pat has wonderful background stories about each quilt.
By Cindy [3 Posts, Comments] February 23, found this helpful Betty, your children might not have a sentimental attachment to these items, but you might have grandchildren or great grandchildren some day that would appreciate these family artifacts. Do a google or bing search on “Heirloom Shadow Boxes” and you will get plenty of ideas for transforming these odds and ends into beautiful hanging artwork for future generations.
I traced a basic shape pig, cow, etc. Stitched them together with wrong sides out, then turned them right side out. Ad I sewed on button eyes and ribbon roses went around their necks. I gave one to each child. It has been more than 25 years, and I still see them hanging on their Christmas trees. One of the simplest is to cut them into shapes and sell them.
Clues in the calico : a guide to identifying and dating antique quilts
The Hands That Made Them…: Quilts of Adams County, Pennsylvania. Planks Suburban Press,
May 12, · Member of Monona Quilters, WI. I study quilt history and dating old quilts, collect antique and doll quilts. Did art quilts years ago with Block Party Quilters in Kirkland, WA. View my complete profile. Modern HST Sampler. Pets on Quilts .
This is a vintage blanket , circa , that still retains the original label in the corner as shown. This wool blanket is in very good condition and still has the original felted binding that does show some scattered age wear, but only on the binding. The blanket has an interesting pattern and there’s one similar in the book Chasing Rainbows by Barry Friedman on page upper left. There’s also a blanket like this pattern in Barry Friedman’s new book, Still Chasing Rainbows featured on page The blanket displays well and is very usable.
If you like a blanket to hang on the back of the rocker, recliner, on a bed or many other uses give it some thought The book tells the history of the company and shows lots of the original designs. Beacon Blankets Make Warm Friends is an excellent book.. The blanket is in excellent condition. These blankets are reversible and look different on each side,, so really it’s like having 2 blankets in one! The original felt binding is in excellent condition and the original label attached and very nice.
The blanket displays well and is flat and no shrinkage. It’s a blanket one can add to a collection.
Phoebe Moon Quilt Designs
Posts 1, Jeanette, it sure doesn’t sound dumb to me. I used to consider using the store bought ones but I have a wonderful friend who appraises quilts and she talked me into doing my own labels simply because of the historical value later on. The more information that is known about a quilt the higher the value. I tend to make my quilts with the idea that they will last a generation or two or four! There is no right or wrong way though and if you are comfortable with using the little store bought labels then that is good too.
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Ordinary women no longer had to spend hours a day spinning. At last women could find the time to be more creative including the sewing of quilts. Today we take it for granted that we can easily find quilt patterns in books, magazines and even online. Although a few patterns were published in early America and more by the late s women of the 19th and the early 20th centuries had another way to share and remember favorite block patterns.
Sample Blocks Made to be Used as Patchwork Patterns When stacks of blocks are found at an estate sale or in the attic of an old house we tend to think they were pieced to be sewn together into a sampler quilt. This wasn’t always the case. These blocks might have been made up as a way to remember quilt block patterns that friends have shared. Sometimes the blocks in such a collection appear to have been quickly dashed together to just give the woman an idea of how the pattern went.
Others were more carefully stitched.
Clues in the Calico: A Guide to Identifying and Dating Antique Quilts
Amish[ edit ] Amish quilts are reflections of the Amish way of life. As a part of their religious commitment, Amish people have chosen to reject “worldly” elements in their dress and lifestyle, and their quilts historically reflected this, although today Amish make and use quilts in a variety of styles. In Lancaster, Pennsylvania , early Amish quilts were typically made of solid-colored, lightweight wool fabric, off the same bolts of fabric used for family clothing items, while in many Midwestern communities, cotton predominated.
Classic Amish quilts often feature quilting patterns that contrast with the plain background.
Jan 08, · Easy Tube Pillow Case Tutorial – Support the Million Pillowcase Challenge! – Duration: Missouri Star Quilt Company 2,, views.
Although few collectors can claim such expertise, most do enjoy knowing from whence their quilts came. According to Country Home magazine, even the novice collector will be able to place a wide number of quilts in their proper historical perspective by learning to recognize the most typical quilting styles of certain major epochs. During the years between the American Revolution and the beginning of the westward migration, bedcovers blossomed with cotton cutouts salvaged from leftover bits of expensive European chintz.
Using a method called broderie perse Persian embroidery , women carefully snipped around the bird-and-flower motifs of the imported chintzes and appliqued them on fields of plain domestic cloth to make the most of the patterned fabric available to them. Patchwork precursors of the pioneer quilts also were common, and many combined the patchwork and the broderie perse techniques. Early quilts usually were constructed by adding border strips to a large, central fabric panel, giving the bedcover a framed effect.
Two other early quilt types are linsey-woolsey and white work. Linsey-woolsey quilts were made from large, vividly colored pieces of homespun sewn to a linen or wool backing and lavishly quilted in large floral or feather motifs. White work bedcovers, often called bridal quilts, were quilted in intricate patterns using the tiniest of stitches. As families moved West, fabric though readily available in the East once again became a scarce commodity. That scarcity led to uniquely American patchwork masterpieces.
Each one a work of art created out of the scrap bag, these quilts were stitched of geometric pieces painstakingly cut from years of cast-off clothing and tired household linens. Only on occasion were these precious scraps teamed with new cloth.
Buying Old Quilts
The seven hundred or so inhabitants of this small, rural community are mostly descendants of slaves, and for generations they worked the fields belonging to the local Pettway plantation. Quiltmakers there have produced countless patchwork masterpieces beginning as far back as the mid-nineteenth century, with the oldest existing examples dating from the s.
Enlivened by a visual imagination that extends the expressive boundaries of the quilt genre, these astounding creations constitute a crucial chapter in the history of African American art. They represent only a part of the rich body of African American quilts. But they are in a league by themselves.
Some are country quilts, some primitive quilts, some are cottage quilts and some are lodge style quilts, but all are beautiful in their own way. Take a little time, think of flying needles and old-fashioned quilting bees, of spinning your own cocoon from snippets of fabric from yet another time.
It can be made using two fabrics or four fabrics like in my sampler quilts shown on the Learn to Quilt page or a variety of scrap fabrics as shown above. The fabrics are basted onto paper templates which are later removed. In the old days, when quilters developed the Dresden Plate Quilt Block, they sometimes cut paper templates from newspapers, and left the papers inside the quilt for extra warmth – this has been one method of dating old quilts as the date was on the newspaper found inside!
To begin your dresden plate quilt block,you will need one package of Dresden Plate paper pieces – most quilt shops stock these items, or you can cut your own. Cut 16 fabric “petals”, using one of your paper templates as a guide. Wrap the fabric around the paper, and using a needle threaded and with a large knot at the end of the thread, sew or baste large stitches through both fabric and paper.
Having a thimble on your middle finger will help. Stitch along one side, then make large stitches through just the fabric of the rounded part, pull it snug over the paper template, then stitch down the other side through all three layers fabric, paper,fabric. Do not fold the bottom point up as it will be covered by the center circle. When you have basted all the fabric pieces onto all 16 of the paper pieces, you may join the petals.
Place two petals right sides together, and whip-stitch one edge using small stitches. Try not to catch the paper in the stitches. Continue adding more petals until all 16 are together. Stitch large basting stitches all along the edge of the fabric circle, then place the paper template in the center and pull your basting thread tight.
Friday, May 11, Pink Plus I’ve never been a big fan of the color pink. Growing up, I wasn’t a girly girl, just a nerdy girl that loved to read. As soon as they would let us wear pants at school high school years , I ditched my dresses and skirts and never looked back. So it was fun to make the blocks for my reproduction quilts from my repro scraps in pink, the Rainbow Scrap Challenge color of the month.
Above is Eileen Trestain’s book Dating Fabrics: A Color Guide, , open to the pink pages.
Resumé of Ann Wasserman My work as a quiltmaker includes repairing antique quilts, creating unique art quilts, and teaching and lecturing. My background in anthropology leads me to enjoy both the social history of quilts and quiltmaking as well as the creative process of expression in my own work.
Buying Old Quilts By Deborah Roberts A few days ago I was talking to a dear friend, one of my few friends who does not share my passion for quilts. I was telling her one of “those” stories about a quilt I had just appraised. This quilt was a wonderful “Lady of the Lake” c. To me, this was an incredible find. The comment of my friend, however, was: In talking to quilt lovers and reading various posts on the ” Quilting Heritage Listserv ,” it is evident that for those who love and collect quilts, there is definitely something about a quilt that speaks to your heart and evokes a strong emotional response.
Is it the pattern, the workmanship, the fabrics, the person who made it, the history of it? What is it that makes someone love a quilt so much that she has to buy it? In interviewing collectors, it soon emerges that there is a universal reason they bought that first quilt in their collection — they fell in love with it.